Critic Review - Festival dei Due Mondi - Spoleto, Italy
The cycle of paintings, in which he dedicates Vanessa Grant, takes its cue from an extensive artistic experience, with a particular focus and emphasis on the relationship with the surrounding architectural structures and can be framed as a history of architecture, restored, modernized and brought back to the days our. The narrative painted fits through the evolutionary development of the history of art, conceived in a general sense. The formula rielaborativa custom abstract figurative landscape remains self-consciously distinct and released, compared to landscape painting classic and traditionalist of the term.
The paintings offer the viewer a unique perspective of interpretation, an interpretation of the urban space, the urban area of the town, deepening dynamically size the ideal habitat environment. The artist establishes an active and interactive relationship with the extraordinary complex of cultural geographies and asset expressive style, which combines the intensity of intimacy and introspection. The varied production circuit moves and is divided from the planning stage of the design, transferred and transferred to canvas, using a method that wraps the representations of bright and shiny evanescence, such as to make them look almost erased in the distance and blurred in ' visual effect.
It follows a state of deep rooted psychological and constant search for the compositional rigor, where the experience of memory is a symbolic act of confirmation in the memory of the person reproduced in the present. The play of light and shadows gives a three-dimensional effect of the thickness, in which the movement of a bow and the projection of a wall encroach on their volumes and stretch out. The sign is intended to define the image as a whole, delineating and establishing their boundaries.
The works of Grant are an effective communicative language to return due importance to the energy of vision, strength reminiscent of the elements included in the environment. The conceptual process is not affected and is not solely a descriptive summary, it is oriented toward the substantive values and the excitement of inner thought, feeling supported by the mnemonic, which reflects and captures the primary data for execution. The use of shades of color contributes greatly to the location of enrichment and integration. The diluted color and relaxed, sometimes it expands, it accumulates, it holds in the corners, along the lines of the surface, creating different segments and planes of matter, which testify to the chronological order of elapsed time, in the emotional involvement created by the feeling, preserved from the commencement of time.
Elena Gollini - Journalist and Curator of Art